Typography - Task 3: Type Design & Communication

5/11/24 - 24/11/24 (Week 8-Week 12)

SUN YUTONG (0377440)

Typography / Bachelor of Design (Honours) in Creative Media

Task 3: Type Design & Communication 


1.LECTURES

Lectures have been completed in Task 1


2.INSTRUCTIONS

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Task 3: Type Design & Communication

This week, we need to choose one of the 10 fonts to look at for interpretation. Then, we need to refer to some font designs and write them down using three different sizes of marker pens, three different sizes of marker pens are required to write down different styles of fonts.

Research

I have collected many different font styles on font websites and learned some of the details of these fonts. I liked that some of their styles had a handwritten feel to them, and some had styles where the letters were very well balanced with each other, giving them an easy-to-read feel.





I chose the last font to make a reference design and sketched it out.

Sketch

Then, I combined the references I looked for and used different types of markers to put them. They were written on top of squared paper.

        

        

Digitisation

I chose the Univers LT Std font for planning, and I think Univers most closely resembles my sketches in terms of stroke width contrast.

Fig.1.1 Font anatomy

By deconstructing these letters, I observed that while some parts appear to be equal, they are not - the body of the "o" is different in thickness, as are the arcs of the "b" and "h".
After deconstructing these letters, I started to build my own. I used the anatomical typeface of the ‘Tyd’ letterforms to determine the baseline, x-height, ascender, descender, and cap height and applied these to the design of my new letters.

Fig.1.2 Guides

Then, I referred to the sketches in the illustration and learned from the video provided by Mr. Vinod, using tools such as rectangles, pen, and curvature to bring out the strokes of the typeface.

This was my first version of the type design, but Ms. Vitiyaa explained to me the need for a uniform style in my strokes, drew me out how to ensure uniformity in the letter strokes, and reminded me of some of the detailing of the letters.



Fig2.1 First version of font design

Fig2.2 Process Diagram

Fig 2.3 Digitisation Process

After that, I cancelled the curvature of some of the strokes and this is the second version of the type design.

Fig2.4 Second version of font design

Fig2.5 Detailed image (1)

Here is the final font design:

Fig2.6 Final font design (1)

Measurements (from baseline)
Ascender: 700 pt
Capital height: 672 pt
Median: 500 pt
Descender: -182 pt

Next, I tried to create the font design of 'abfjmpqyur':

Fig2.7 Detailed image (2)

Fig2.8 Final font design (2)

FontLab

After finishing my type design on Illustrator, I started developing and exporting my fonts using FontLab.

After that, according to the video provided by Mr. Vinod, I imported the font into Fontlab to export the font and adjust the spacing.



Fig 3.1 FontLab Process(1)

When I was testing the font, I found that some of the letters needed kerning adjustments so I imported the font into Fontlab again to adjust the kerning.


Fig 3.2 FontLab Process(2)

After that I exported my font named Width and installed it on my computer for the next poster making.

POSTER

Our final assignment was to create a black and white poster, and I used my fonts for the composition.

This is my first version of the poster:

Fig 4.1 First version poster(JPG)

Fig 4.2 First version poster(PDF)

When I showed the poster to Ms. Vitiyaa for review, she explained to me that she found the poster interesting, but the lines under the font affected the characteristics of the font itself, and she thought I could readjust the poster.

This is the revised poster:

Fig 4.3 Second version of the poster(JPG)

Fig 4.4 Second version of the poster(PDF)

Fig 4.5 A4 BW Poster BLACK (JPG)

Fig 4.5 A4 BW Poster WHITE (JPG)

Fig 4.6 A4 BW Poster (PDF)

FINAL Task 3: Type Design & Communication


Fig 5.1 Final Task 3A: Type Design and Communication "Width" (jpg 1)

Fig 5.2 Final Task 3A: Type Design and Communication "Width" (PDF 1)

Fig 5.3 Final Task 3A: Type Design and Communication "Width" (jpg 2)

Fig 5.4 Final Task 3A: Type Design and Communication "Width" (PDF 2)

Fig 5.5 A4 BW Poster BLACK (JPG)

Fig 5.6 A4 BW Poster WHITE (JPG)

Fig 5.7 A4 BW Poster (PDF)


3.FEEDBACK

WEEK 8

General feedback
Specific feedback: This week was an independent study week, where I finished dissecting the given letter ‘hogb’ and exploring the font style, and digitizing it in AI.

WEEK 9

General feedback: In the ninth week, Ms. Vitiyaa evaluated and revised our drawn font sketches and digitized fonts, explaining to us that the stroke style of our design needs to be unified and the height also needs to be consistent.
Specific feedback: Ms. Vitiyaa pointed out that my sketches were inconsistent and showed me how to sketch the fonts, and explained the details of the ‘t’ and ‘l’ and how to keep the strokes consistent.

WEEK 10

General feedback: This week, Ms. Vitiyaa asked me to continue working on our e-portfolio and asked us to refer to our classmates’ feedback and review our font designs.
Specific feedback: Ms. Vitiyaa felt that my handwriting was acceptable, then she checked my previous blog assignments and asked me to continue revising my blog.

WEEK 11

General feedback: Ms. Vitiyaa explained to us the tasks for this week, asking us to perfect our fonts and make posters, and complete our e-portfolio before the next class.
Specific feedback: This week, Ms. Vitiyaa guided us on how to use FontLab to export our fonts and helped us answer questions about this software.

WEEK 12

General feedback: This week, Ms. Vitiyaa asked us to make a poster using our own fonts and explained the requirements for the blog content.
Specific feedback: Ms. Vitiyaa showed us how to adjust the kerning to be more appropriate in Fontlab.

WEEK 13

General feedback: In week 13, Ms. Vitiyaa explained to us the specific requirements and details of the 4th blog and checked our posters.
Specific feedback: When Ms. Vitiyaa checked my poster, she explained to me that the line under my font would easily affect the display of the characteristics of my font, and asked me to continue to revise my poster.


4.REFLECTIONS

Experience: While completing this project, I learned how to design my own typeface. Completing the anatomy of the typeface to interpret it was a bit tough for me. While working on the font design, I learned how to keep the style of the font strokes consistent.

Observations:I have observed that when keeping the stroke style of the font strokes, we can split the font strokes and use the same parts. For example, after determining the stroke style of the letter ‘o’, we can apply the part of the letter ‘o’ to the letter ‘d’ to keep the consistency of the font strokes. When using rectangles to complete the design, pay attention to isometric scaling.

Findings:In completing this project, I discovered and learned about many different styles of typography and learned how to use typographic reference lines and keep letter strokes in a consistent style. Whilst learning and referencing different font styles, I have discovered that the same font can be designed in many different styles and that I still need to learn more to perfect my font design.


5.FURTHER READING

This book presents a history of the development of typefaces and the importance of contemporary typography. It mentions representative works from different periods of type technology, gives examples of how movable type revolutionized the dissemination of knowledge and social progress, and describes how the spread of digitalization and internet technology has brought about a boom in type creation and design. 


 The book also mentions that typography is no longer a neglected design but is considered a high art. Fonts have become part of popular culture, with attention paid to their aesthetics and history in all aspects of life.


The article also mentions that the number of fonts available for download and use is now over 200,000, a huge leap from the number of fonts available just a few decades ago. Advances in technology have made font design tools easier to use and distribution of fonts easier and faster


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